Ukuleles & overweight nudity… September 3, 2010
Posted by jasoncondie in Art, Edinburgh, Festival, Music, Thoughts.Tags: Edinburgh, Art, Edinburgh Festival, Edinburgh Fringe, Half price Hut, lucky dip, the ukulele project, ukulele, george formby, mumford & sons, damien rice, karma police, rebellion, arcade fire, radiohead, naked splendour, philip herbert, life modelling, life drawing
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… just another Saturday afternoon lucky dipping the Fringe Half Price Hut then. Whilst I appreciate the festival is over for another year (tear), I thought another couple of reviews wouldn’t hurt in case you happen across the shows next year or elsewhere.
The Ukulele Project 8.5/10 – Cowgate Udderbelly Belly Bancer
Size isn’t everything. Disregarded previously as a musical punchline (not helped by the comical strummings of George Formby), the ukulele has enjoying a recent resurgence thanks to folk rock bands like Mumford & Sons. The Ukulele Project, a trio of teenagers, apply their wee guitars to an eclectic range of hits from Dolly Parton to the Beatles. Lead male vocalist Oli Peacock is pleasingly reminiscent of Damien Rice and his acoustic covers of Radiohead’s Karma Police and Arcade Fire’s Rebellion were arguably better than the originals. The only criticism being the inclusion of a Bond medley was uncharacteristically childish but only because the maturity of performance makes you forget the age of the performers.
Naked Splendour 9/10 – C-Venues Carlton Hotel
“Contains nudity, drawing involved” warns the ticket. Audience members are handed sketch pads and pencils upon entering the worryingly intimate auditorium (drawing involved – check). Philip Herbert has dedicated his life to life modelling and through innovative participatory theatre, recounts witty and absurdist anecdotes. After the subject strips (nudity – check), an initially embarrassed audience soon settles to intense concentration as sketchers attempt to capture Herbert’s naked splendour. The show certainly answered my questions about life modelling (what happens if you fall asleep or get an erection?) and I’m now considering giving life classes a go – drawing not modelling mind.
Lucky-dipping the Half Price Hut August 20, 2010
Posted by jasoncondie in Edinburgh, Festival, Friends, Thoughts, Travel.Tags: Edinburgh, Edinburgh Festival, Festival, Fringe, Edinburgh Fringe, Half price Hut, That Moment, Chef!, one woman show, Cowgate Underbelly, beatbox, breakdance, a-capella, Assembly @ George St, martial arts
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Discovering fresh, untapped talent at the Edinburgh Festival is a risky business. Headliners like John Bishop, Jason Byrne et al offer a safe, guaranteed laugh but the amphitheatre venues and extortionate ticket prices detract from the true festival experience. That’s why I prefer to lucky-dip the Half Price Hut. Located on the Mound, the Hut’s screens list the day’s undersubscribed shows, now available for half price. Admittedly, trying to locate a show in the genre-categorised (as opposed to alphabetic) Fringe brochure is relatively stressful as the queue gradually diminishes. Top tip: take a photo of the screens as the show listings update frequently. Applying such a technique I unearthed a couple of recommendable performances I wouldn’t have considered otherwise:
That Moment 8.5 / 10 – £10 Cowgate Underbelly
Energetic, imaginative one-woman show (so 90s) recounting the questionable life choices of an aspiring actress, complete with Lorraine-Kelly-accented agent spouting motivational cliches, homosexual theatrical directors and an incontinent dog. The tiny cave venue feels almost too intimate to contain the show’s energy and character range – at the climax the solo performer plays 7 different characters interchangeably. Witty and well-acted throughout.
Chef! 8 / 10 – £13 Assembly @ George St
Thankfully nothing you’d see at the Taste Festival. The food merely acts as backdrop to an innovative hour of beatbox, breakdancing, martial arts, a-capella and surreal Asian culinary comedy. Arguably the best set-piece involved the majority of the cast invisible in black body stockings manipulating items and two characters in a slow-motion, Streetfighter inspired dinner battle. Amazing beatboxing and breakdancing.
Another Edinburgh rant June 17, 2010
Posted by jasoncondie in Edinburgh, Thoughts.Tags: Edinburgh, edinburgh council, foxes, New Town, rubbish, rubbish collection, seagulls, Thoughts, trash
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All this complaining, I’m beginning to sound like Edinburgh’s answer to Victor Meldrew. This week’s rant is directed at lazy residents of Edinburgh’s New Town. For elitist reasons unbeknown outside the hallowed, top-heavy bureaucracy of Edinburgh City Council, no communal rubbish bins are allowed to spoil the neo-classical masterpiece of city planning. Fair enough, hike the Council Tax and arrange for trash collections twice weekly.
However residents appear ocassionally too lazy to get out of bed before the advised 8am collection time, putting their rubbish out the night before instead. Enter city-dwelling scavengers such as baby-hungry foxes (too soon?) and genetically-modified seagulls (crossbred with albatrosses or badgers). Teabags, sanitary products and discarded food everywhere. Seriously, you might as well just throw your rubbish out the window. The Council and guilty residents should be ashamed that during the summer months, particularly during the Festival, the New Town reeks of warm trash. And that’s inevitably when the binmen hold the city to ransom and threaten to strike.
If the Council refuse to provide ugly communal bins (surely fly-tipped pavements are uglier), residents should put their trash out in the morning and consider double-bagging. Otherwise all their neighbours will know what they’ve been eating and doing over the last few days.
Tram sham June 11, 2010
Posted by jasoncondie in Edinburgh, News, Thoughts.Tags: buses, Edinburgh, edinburgh council, Edinburgh tram referendum, edinburgh trams, public transport, Scotland, Scottish Government, tram referendum, trams
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Public Transport 101….
Q1) Assuming the role of transport department chief for a UNESCO world heritage city, how would you make public transport more efficient and accessible?
a) Break the local bus operator’s monopoly, allowing new entrants to offer wider route coverage and cheaper fares reflective of petrol prices and inflation (aside: an increase from 80p to £1.20 in 5 years is only representative for Zimbabwe).
b) Re-introduce a tram network (budget = £500m+).
c) Introduce a monorail (budget = probably less than £500m).
For the avoidance of doubt, the correct answer is a). Although inexplicably Edinburgh Council transport department opted for b). You may remember these clowns from past traffic tragedies such as the failed enforcement of a road toll or the installation of pop-up bollards on George Street removed after a few weeks. Similarly, nobody asked for or wants the trams – has anyone stood waiting for a bus thought “I wish there were buses that could only go forwards and backwards”?
Retailers lose trade as footfall and traffic are diverted from their shopfronts. Motorists, armed with increasingly confused satnavs, navigate ever-changing road layouts. Residents face embarrassment as ugly roadworks scar the once beautiful cobbled streets, and blackouts as power cables are accidentally cut.
To date more than £350m has been spent … representing two-thirds of the original budget. Putting that into perspective, South Korea spent only £275m on a failed rocket launch recently and rockets are far cooler than trams. The project is estimated at only 18% completion, much less than the planned 86% for this juncture. Applying simple maths, the cost could potentially balloon to almost £2billion! Perfect timing as the country recovers from recession and the new coalition Government proposes stringent public spending cuts. And the project now won’t complete until earliest 2013, a year later than planned. After the Scottish Parliament fiasco, you’d have thought the Council would have learnt their lesson and stopped trying to build things.
Could the situation get any worse? Blinkered bureaucracy abound, of course it can. The Council has recently initiated proceedings to remove German construction giant, main contractor and scapegoat, Bilfinger Berger, from the project potentially triggering a lengthy and costly court battle. Such a dispute could delay the scheme by a further few years and the Council would inevitably lose, having lost the majority of independent adjudications conducted to date.
Given the above farce, it’s no great surprise the critics are wading in. Deputy council leader Steve Cardownie (SNP) is set to demand a referendum on whether to scrap the tram project. Not a bad call if the cost of reversing the 18% is less than the cost to enact the 72%. A better remedy may be to tie the misguided members of the original tram think-tank to the tracks on Princes Street and re-open the stretch to embittered taxi and bus drivers.
Aubade March 18, 2010
Posted by jasoncondie in Books, Edinburgh, Poems.Tags: aubade, dawn, philip larkin, poem, Poems, st vincents church, sunrise, sunset
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This sunset viewed from my living room window reminded me of my favourite Philip Larkin poem, Aubade. Which apparently means: A song or instrumental composition concerning, accompanying, or evoking daybreak.
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused – nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear – no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
REDinburgh, but why? February 5, 2010
Posted by jasoncondie in Edinburgh.Tags: amsterdam, Edinburgh, flickr, photos, red, red light, redinburgh, valentines day
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Valentine’s Day, an uncelebrated Pagean holiday or maybe a painters’ conference at the EICC? For some reason several Edinburgh landmarks have been recently adorned in red light. Maybe the police are experimenting with new tolerance zones to attract tourist footfall – like Amsterdam. I asked a passing purple “Informant” (I always wondered what those guys were for) and apparently there’s no discernable reason. Take a look at my snpashots on Flickr or better yet, get out and kerbcrawl for yourself.







